![The shop front of Taller Siqueiros, which is owned by ASARO artist and member Yescka [Gabriela Campos/Al Jazeera]](/wp-content/uploads/2017/03/a00e276756bd4fe7a1d391c937ad29d3_18.jpeg?resize=270%2C180)
A renaissance of political printmaking seeks to counter cultural domination and give voice to the disenfranchised.
![A print on the wall in Oaxaca commemorating the 43 students that disappeared in Guerrero [Gabriela Campos/Al Jazeera]](/wp-content/uploads/2016/11/52347147d70b4556ad7c5d27999c8e71_18.jpeg?resize=270%2C180)
In Oaxaca, the battle over education – and the view of Mexico it presents – has often turned violent.
A renaissance of political printmaking seeks to counter cultural domination and give voice to the disenfranchised.
In Oaxaca, the battle over education – and the view of Mexico it presents – has often turned violent.