Filmmakers: Patricio Henriquez and Luc Côté
Four Days in Guantanamo is a documentary based on security camera footage from the Guantanamo Bay prison.
It shows an encounter between a team of Canadian intelligence agents and Omar Khadr, who in September 2012, was repatriated to serve out his sentence in Canada. Khadr served a total of 3619 days in Guantanamo.
Based on seven hours of video footage declassified by the Canadian courts, this documentary delves into the unfolding high-stakes game of cat and mouse between captor and captive over a four-day period.
Maintaining the surveillance camera style, this film analyses the political, legal and scientific aspects of a forced dialogue.
It is a shocking insight into psychological interrogation techniques and speaks to the fate of the facility Barack Obama, the US president, promised to close down but which, four years later, remains open.
An excerpt of the film is available to watch here.
About the film:
This intense documentary is based on seven hours of CCTV material from the interrogation of Canadian-born Omar Khadr, the youngest detainee at Guantanamo Bay. In February, 2003 Canadian security agents interrogated the teenager. This interrogation and the reports of his being tortured prior to arriving at the facility raised the level of scrutiny regarding the treatment of prisoners at this detention camp.
In July 2008, the video of the interrogation was ordered to be made available in a Canadian supreme court ruling that stated in part: "Interrogation of a youth, to elicit statements about the most serious criminal charges while detained in these conditions and without access to counsel, and while knowing that the fruits of the interrogations would be shared with the US prosecutors, offends the most basic Canadian standards about the treatment of detained youth suspects."
This 15-year-old boy was taken into custody by the US authorities following a firefight in Afghanistan in September 2002. The battle between US special forces and fighters reportedly associated with al-Qaeda left Khadr severely wounded. In a sworn affidavit during his court case, Khadr testified that he was tortured after being taken into custody. A month later, Khadr was delivered to Guantanamo Bay, Cuba. Not long after he arrived, Canadian security agents spent four days interrogating him.
Their primary line of questioning centred on his father's reported relationship with Osama bin Laden and any knowledge that the younger Khadr might have regarding Bin Laden's whereabouts.
In this film and over the course of Khadr's interrogation, you see a clear shift in the relationship between the Canadian security service agents and the teenager. You see his transformation from an elated youth relieved to see fellow Canadians arrive and express an interest in him and his welfare, to a distraught young man, bitter and angry at his treatment and his abrupt realisation that these men are not there to take him home.
This documentary brings together an array of people connected with this case and examines, in-depth, through this interrogation, one of the most controversial detention facilities in the world. We hear from his legal team, the reporter who fought to have the video of this interrogation released, as well a US intelligence officer familiar with US interrogation practices at Guantanamo and Omar Khadr's detention in particular.
In 2010, after lengthy negotiation, the US and Khadr's legal team agreed to a plea deal. Khadr pleaded guilty to committing murder in violation of the laws of war and US authorities agreed to his serving just one more year in Guantanamo and avoiding a 40-year prison sentence.
By filmmakers Patricio Henriquez and Luc Côté
In July 2008, like millions of Canadians, we watched 10 minutes of video footage of the interrogation of Omar Khadr.
This material that Omar’s Canadian lawyers had just released stunned us. We were shaken by the moment in which Omar realises that the Canadian intelligence agents who showed up at his cell in Guantanamo had not come to help and protect him as a Canadian citizen but rather to make clumsy attempts to cajole, manipulate and threaten him into making incriminating statements.
We felt compelled to use this footage as the basis for a short film.
Our mission would be to craft a documentary in which interviews would provide the context to help us understand what the recording of the interrogation was trying to tell us.
Since there was intense public interest in Omar’s story, we would have to act quickly to put this work on line. Perhaps inevitably, the short film we set out to make quickly developed into something far longer and more complex.
As is often the case in documentaries, the story evolved. Through contacts, we were able to obtain an additional seven hours of interrogation video, which the public had never seen. Some of the sound had been erased by the Canadian Security Intelligence Agency (CSIS), yet enough remained for us to realise that we had something special and rarely seen - the confrontation between an interrogator and a prisoner.
Indeed this is the only footage available that shows - partially - what takes place inside Guantanamo, the prison where, in the words of Dick Cheney, the former US vice president, the "cream of international terrorists" are supposedly locked up.
|Reviews of Four Days in Guantanamo:
"Painfully stark yet utterly magnetic ... the Montreal-based filmmakers Luc Côté and Patricio Henriquez have assembled an even-tempered glimpse behind a very dark curtain."
New York Times
"A waking nightmare of passive-aggressive coercion and psychological abuse. Essential viewing."
Time Out, New York
"A gut-wrenching film."
"If this documentary doesn't fill you with sorrow, fury and revulsion, then democracy, human rights and justice are hallow words and we belong in the same moral dead zone as fanatics who oppress and destroy in the name of faith."
If you assume that documentaries reflect reality, you would also agree that reality includes segments that sit within the shadows of the invisible. Once in a while some of those segments leave their confinement to fall directly under the public spotlight. Making it public, as a documentary was, for us, a compelling though somewhat bizarre privilege.
We had a history, as filmmakers, of obtaining public funding and the support of broadcasters in Canada for the ideas we pitched. Yet Omar’s story was turned down almost everywhere.
Disappointed but not defeated, we approached Canal D, a French-language private Canadian broadcaster. The channel gave us a small licence. It was not enough to cover production costs, but we invested our time and some of our own money. There was urgency about this story, which drove us forward with strong beliefs and commitment. We started filming interviews in June 2009.
As filmmakers we wanted to encourage a deeper dialogue over current Canadian security policy.
Since the US launched its global 'war on terror' following 9/11, there has been a corresponding shift in Canadian military and security policy. Omar’s video and other recently released documents mean that the Canadian government can no longer claim to be unstained by torture. In fact, Canada has sent several teams of interrogators to Guantanamo.
Before the Canadian interrogators visited Omar, Ottawa knew that he had been tortured. The military lawyer defending Omar established that in 2002, before his transfer to Guantanamo, Omar was detained at Afghanistan’s Bagram Air Base. His chief interrogator there was Joshua Claus.
Three years later, following a court martial, Claus pleaded guilty to torturing to death a young Afghani taxi driver named Dilawar. An investigative report by the New York Times blew open the Dilawar story. It became the basis for the film Taxi to the Dark Side, winner of the 2008 Oscar for Best Documentary.
Knowing all that, the Canadian government continued to claim that the American authorities treated Omar humanely and that he had committed a very serious crime.
International conventions that protect the rights of children in wartime, and in particular the rights of child soldiers, should have applied to Omar. But Ottawa was able to sidestep those laws.
Released in the autumn of 2010, You Don’t Like the Truth was almost universally acclaimed. It was invited to more than 60 festivals around the world, from Amsterdam to São Paulo, from Seoul to Paris, from Buenos Aires to New York. But the Canadian government never changed its position towards Omar Khadr.
In October 2010, Omar pleaded guilty to all the charges pressed by the US. It was clearly a plea bargain that allowed the young Canadian to serve eight years in jail, rather than 40. He became the first person ever convicted as a war criminal for acts committed as a juvenile.
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