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Dating back to the Safavid period, the Golestan Palace - which is about five centuries old - was built during the expansion of Tehran as Iran's commercial capital. The structure underwent modifications and renovation during the Zand, Qajar and Pahlavi dynasties.
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Mirrored ceilings of the Shams-al Emarat, an imposing feature of the palace complex, are reminiscent of an extravagant period for architecture that combined European and Persian architectural traditions.
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Women in chadors disembark from a traditional carriage outside the Baazar entrance. Once used as a daily means of transport, carriages are now mostly a tourist attraction.
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Due to shortage of space, Baazaris keep their wares in storage spaces, transporting them to their shops as needed. Despite the lack of space, the Grand Baazar is considered the world's largest.
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The Shamsol Emareh, from Naseer al-din Shah's era, was built in 1867 to house the Shah's personal harem.
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Hand-made carpets are the most expensive commodity here, with a large district in the bazaar dedicated to their trade. Iran is the world's largest exporter of these artifacts, each piece taking an average of eight months to complete. The art of carpet weaving in Iran dates back thousands of years, to the Achaemenid Persian Empire in the 6th century BC.
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This building on the periphery of the baazar was for centuries used as a haven for travellers. The Zoroastrian symbol of the Faravahar - itself dating back to the pre-Islamic period - is a recurring feature of both old and new architecture in the country. Zoroastrians form the oldest religious community in Iran.
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This ornate inscription inside the Naser Khosro Mosque in the heart of the Grand Bazaar that exalts Allah is a quintissential feature of Shia architecture. The simplicity of the black chadors worn by female worshippers stands in stark contrast to the embellished interiors.
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This wall inscription in the female quarters of the mosque says: "There is no god but God, Muhammad is the messenger of God." Given the religiosity of the Bazaaris, mosques such as this are found throughout the bazaar for the convenience of its traders and shoppers alike.
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A female worshipper sits outside the entrance to the shrine of Emamzade Zeid
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In the 1920s and 30s, Tehran went through a metamorphosis under the rule of the Shah of Iran, Reza Shah Pahlavi. A majority of the architecture seen today was a result of this re-building by the founder of the Pahlavi dynasty, a staunch advocate of modernisation.
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The exterior of this building designed under the patronage of Naseer al-Din Shah exemplifies the fusion of Persian and European architectural styles with ornate tiles with resplendent colours that adorn the brick building with wooden doors. Inside one can find furniture, vases and other collections that were presents from European rulers to the Shahs, denoting the close ties between Europe and Persia.
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Tehran is the country's 32nd capital and is a fascinating mix of the old and new, with ancient remains interspersed among modern high-rises.